Mastin labs portra pushed zip
The grain seemed like it was the size of softballs in the images. It was shocking to have film that was that fast. I do remember when Kodak TMZ 3200 was introduced.
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I find that 400 and 100 speed film cover most of the range that I need these days. We used to call Kodak the big yellow god because of their dominance in the field.įor my part I mostly shoot Ilford film. Being around all of his old equipment brings back memories of when film was king. He sales lots of Kodak Portra 400 and Kodak Tri-X. He is selling more film each month than the last. Occasionally I come across some real gems on his shelves.Įvery time I stop in he starts telling me how well his film sales are going. Always says that there is no money in new cameras but just a little in used ones. He sells used cameras and lenses along with lots of accessories. I have been stopping by to see my old friend Druē Washington the owner of Harry’s Camera in Studio City, California. Each image has to stand on its own merit and not be defined by the media that it was exposed with. I get annoyed when people suggest that film images are better because they are film. I want to be clear, it’s not that I think film images are better, they just have a different look that I seem to be enjoying these days. It also seems that the books that I am enjoying the most lately are by photographers that are still shooting with film. It seems to be a mixture of being tired of the sameness of digital images, the unique look of film, and maybe a little bit of nostalgia thrown into the mix.
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I am finding myself shooting film more often these days.